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Cubism:     more books (100)

Max Jacob and the Poetics of Cubism by Professor Gerald Kamber, 1971-06-01 Cubism: Colour Library (Phaidon Colour Library) by COOPER PHILIP, 1995-09-03 Cubism and abstract art: Painting, sculpture, constructions, photography, architecture, industrial art, theatre, films, posters, typography by Alfred Hamilton Barr, 1936 Picasso, Braque, Gris, Leger: Douglas Cooper Collecting Cubism by Dorothy M. Kosinski, 1990-09 Inside Modernism: Relativity Theory, Cubism, Narrative by Mr. Thomas Vargish, Mr. Delo E. Mook, 1999-05-11 Cubism and Its Histories (Critical Perspectives in Art History) by David Cottington, 2005-01-01 Cubism & Twentieth Century Art by Robert Rosenblum, 1961 Interpretation of Cubism by Mark Roskill, 1985-02 Cubism (Eye on Art) by Cynthia Mines, 2006-12-13 Apollinaire, Cubism and Orphism by Adrian Hicken, 2002-10 In Defiance of Painting: Cubism, Futurism, and the Invention of Collage (Yale Publications in the History of Art) by Ms. Christine Poggi, 1993-01-27 A History of Installation Art and the Development of New Art Forms:Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation by Faye Ran, 2009-02-01 Earthquakes and Explorations: Language and Painting from Cubism to Concrete Poetry (Theory / Culture) by Stephen Scobie, 1997-12-13 Rococo to Cubism in Art and Literature by Wylie Sypher, 1963

lists with details

41. Cubism
    cubism is a style of art created in the 1920’s buy two famous painters Pablo Picasso and George Braque. They both used a lot of cubism in their paintings.  
    http://library.thinkquest.org/J002045F/cubism.htm

42. Art Glossary: Cubism
    An explanation of what the school of art known as cubism was all about, and who started it.  
    http://painting.about.com/od/artglossaryc/g/defcubism.htm
    
    Extractions: zOBT=" Ads" zGCID=" test1" zGCID+=" test7" zJs=10 zJs=11 zJs=12 zJs=13 zc(5,'jsc',zJs,9999999,'') zDO=0 z160=zpreC(160,600);z336=zpreC(336,280);z728=zpreC(728,90);z155=zpreC(336,155);zItw=160 if(thin)gEI('abw').className='thin'; Search var h2=document.getElementsByTagName("h2")[0];if(h2.getElementsByTagName("a")[0].firstChild.nodeValue.length>28)h2.className="long"; Home Painting h1 = document.getElementById("title").getElementsByTagName("h1")[0];h1.innerHTML = widont(h1.innerHTML); By Marion Boddy-Evans , About.com Painting for Beginners Art Glossary A-Z Glossary of Art Terms C Definition: A French school of art most prominent between 1907 and 1914. Originated by Pablo Picasso and Georges Braque , it abandoned single-point perspective and instead subjects were presented from various viewpoints simultaneously. This broke the 'rules' of art that had been followed since the Renaissance. Although Cubism is sometimes regarded as being a move away from reality, it was in fact an attempt to present more reality, showing different sides or facets, as if you were walking around an object.

43. Cubism Art Style Information At Buy Art
    20th century artistic style that defied the traditionally naturalistic style of figurative depiction in painting and sculpture. The term was first coined by  
    http://www.buy-original-art.com/styles/cubism.htm
    
    Extractions: A 20th century artistic style that defied the traditionally naturalistic style of figurative depiction in painting and sculpture. The term was first coined by the art critique Vauxcelles, who described it as a geometric simplification of natural shapes and images. This simplification freed the artist from the usual use of perspective and anatomical accuracy; the tonal range could be less compressed, the representation of natural textures could be emitted and the surface of the canvas remained flat. Use of light and shading also changed as these artists refused to employ the gently defused Renaissance light that skimmed evenly across the canvas. Unlike the abstract artists of the period, the goal was not to create an image without distinct form or visibility, but to find a new way to represent images figuratively and realistically. As more and more boundaries were crossed, and the fine arts steered ever farther away from the conventional methods, the Cubists found new methods of representation, mixing medias into their paintings, and thus attempting to form a balance between the tangible reality around us, and the means in which we present them. The importance of this attempt is evidenced in the massive influence it had on other artists and the many artistic styles that are its result.

44. Cubism, Artists And Art The-artists.org
    cubism artists and art, art movement / style / art prize, Information about cubism and the artists.  
    http://the-artists.org/movement/Cubism.html

45. 9.7.  Cubism
    The cubism plugin modifies the image so that it appears to be constructed of small squares of semitransparent tissue paper.  
    http://docs.gimp.org/en/plug-in-cubism.html
    
    Extractions: You can find this filter in Filte r s A rtistic C ubism The Cubism plug-in modifies the image so that it appears to be constructed of small squares of semitransparent tissue paper. Tip If setting possibilities of this filter are not enough for you, see GIMPressionist filter which offers more options. Figure 16.171.  Cubism ” filter options This variable specifies how intense the color of the squares should be. This affects the opacity of the squares. A high value will render the squares very intensely and does not allow lower squares to show through. A lower value allows the lower squares to be more visible through the higher ones and causes more blending in the colors. If this is set to and Use Background Color is not checked, the entire layer will be rendered black. If it is checked and the value here is zero, the background color will fill the entire layer.

46. Learning Cubism Without Showing An Example
    Show one or more example(s) of Georges Braque and or Picasso who invented cubism (use any general reference art history book, library books on artists,  
    http://www.goshen.edu/~marvinpb/lessons/cubism.html
    
    Extractions: The teacher guides the students who learn to set up a large still life in the middle of the room or several small setups in the middle of their work tables. They bring in sporting stuff, stuffed toys, musical instruments, some cloth, a few dry weeds, and so on. Depending of the season, some teachers bring large sunflowers, grapes, gourds, squash, onions, eggplant, apples, and so forth from the garden. Cut a few of these in half. Taste and smell are excellent multi-sensory motivation. Media

47. Cubism
    cubism highly influential visual arts style of the 20th century that was created principally by the painters Pablo Picasso and Georges Braque in Paris  
    http://www.writing.upenn.edu/~afilreis/88v/cubism.html
    
    Extractions: cubism Cubism highly influential visual arts style of the 20th century that was created principally by the painters Pablo Picasso and Georges Braque in Paris between 1907 and 1914. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories of art as the imitation of nature. Cubist painters were not bound to copying form, texture, colour, and space; instead, they presented a new reality in paintings that depicted radically fragmented objects, whose several sides were seen simultaneously. Cubism derived its name from remarks that were made by the painter Henri Matisse and the critic Louis Vauxcelles, who derisively described Braque's 1908 work "Houses at L'Estaque" as composed of cubes. In Braque's work, the volumes of the houses, the cylindrical forms of the trees, and the tan-and-green colour scheme are reminiscent of Paul Cézanne's landscapes, which deeply inspired the Cubists in their first stage of development, until 1909. It was, however, "Les Demoiselles d'Avignon," a work painted by Picasso in 1907, that forecast the new style; in this work, the forms of five female nudes became fractured, angular shapes. As in Cézanne's art, perspective was rendered by means of colour, the warm reddish browns advancing and the cool blues receding.

48. The Timeline Of Cubism
    This timeline presents the history of the fine art movement called cubism in a horizontal band of continuous imagery. Each painting or collage is  
    http://www.cubistro.com/cubotimeline.html
    
    Extractions: CUBISTRO HOME We have products to celebrate the Cubism Centennial. Click Here. This timeline presents the history of the fine art movement called Cubism in a horizontal band of continuous imagery. Each painting or collage is represented by a triple-square fragment. This allows the viewer to scroll horizontally and feel Cubism as it evolved. digg_bgcolor = '#ff9900'; digg_skin = 'icon'; Digg These fragments of Cubist art assemble the span of cubism into a whole. The timeline shows only the paintings of Braque, Picasso, and Gris, the three artists who made sustained contributions to Cubism. Two of those artists, Braque and Picasso, were the creators of Cubism; Juan Gris was their most astute pupil, and, as the timeline demonstrates visually, he was a notable partner with Picasso's Cubism after 1912. The timeline includes pop-ups guiding the viewer to information on the specific paintings. Cubist motifs were the "quotidien": faces of people, table tops, fruit, guitars, newspapers, typography, pipes, violins, posters, selzer, grapes, pears, bottles, anisette, pernod, banyuls, chair caning, wallpaper, wood grain, accordions, cafes, muscial instruments, sheet music, playing cards, harlequins. Protocubism Analytical Cubism Synthetic Cubism Georges Braque Pablo Picasso Juan Gris September 1908 Matisse says Picasso is "making little cubes," referring to his work at L'Estaque.

49. Cubism Isn T Square - Movies
    The tutorial movies that follow demonstrate, stepby-step, how to create an image in the Cubist art style and the informational Web page using the sample  
    http://movies.atomiclearning.com/la_cub_pse6pc

50. Singapore Art Museum
    cubism emerged in Paris at the beginning of the 20th century to mark a turning point in the history of modern Western painting. It has a profound influence  
    http://www.nhb.gov.sg/SAM/Exhibitions/Cubism in Asia.htm
    
    Extractions: Cubism in Asia: Unbounded Dialogues Cubism in Asia : Unbounded Dialogues Japan : 9 August to 2 October 2005 at the National Museum of Modern Art in Tokyo Korea : 11 November 2005 to 30 January 2006 at the National Museum of Contemporary Art in Korea Singapore : 18 February 2006 to 9 April 2006 at the Singapore Art Museum Cubism emerged in Paris at the beginning of the 20th century to mark a turning point in the history of modern Western painting. It has a profound influence on the subsequent artistic developments throughout the world, including Asia. In Asian countries, through repeated collision and fusion with the diverse range of pre-existing styles, traditions and customs, Cubism provided a stimulus to the question of 'modern art' to evolve specific to differing cultural settings. The Asian artists experimented with Cubism in many different directions, developing their own distinct approaches and styles. Jointly presented by Singapore Art Museum, The National Museum of Contemporary Art in Tokyo, The Japan Foundation and The National Museum of Modern Art in Korea

51. Art Periods In France CUBISM
    cubism was a completely new, nonimitative style of painting and sculpture that was cofounded by Pablo Picasso and Georges Braque in 1908 and survived in its  
    http://www.discoverfrance.net/France/Art/cubism.shtml

52. MacRabbit Blog - Cubism, Baby!
    cubism, baby! It’s 3dimensional, it has 12 edges of equal length and it’s oooooh so sweet… It’s the Apple Design Award for Best Developer Tool,  
    http://macrabbit.com/blog/cubism-baby/
    
    Extractions: Congratulations on the much-deserved award, Jan! I knew you could do it. - June 13th, 2007 at 8:10 AM Ricky Romero Gefeliciteerd Jan, terechte winst - June 13th, 2007 at 8:21 AM Dirk Sierd I was waiting for this post - hearty congratulations on a well-deserved win! - June 13th, 2007 at 8:28 AM Hawkman So. Awesome. Congrats! - June 13th, 2007 at 8:48 AM Garrett Murray - June 13th, 2007 at 8:52 AM Apple Design Award f¼r CSSEdit - surfgarden Congrats, CSSEdit is an awesome app and you deserved to win one. - June 13th, 2007 at 8:56 AM Rory - June 13th, 2007 at 8:57 AM Jake Congratulations, well deserved! - June 13th, 2007 at 9:35 AM Lode Despite that, conrgats! - June 13th, 2007 at 11:08 AM SabbeRubbish Gefeliciteerd ! Keep up the good work. - June 13th, 2007 at 11:31 AM Nicky Peeters Congratulations Jan!! Well done. Very worth prize indeed. CSSEdit has been my choice editor since the time I found it - June 13th, 2007 at 11:38 AM Amit Karmakar Eindelijk! Proficiat man! Gratz!

53. Cubism And Cameras: Free-form Optics For Computer Graphics
    Cubist painters explored the process of creating images from multiple, simultaneous points of view. We believe that cubist principles can lead to a rich  
    http://research.microsoft.com/research/pubs/view.aspx?msr_tr_id=MSR-TR-2000-05

54. Cubism For Computer Graphics
    This kind of distorted image is one form of cubism with practical applications. . Glassner, Andrew S., cubism and Cameras Freeform Optics for Computer  
    http://www.glassner.com/andrew/cg/research/cubism/cubism.htm
    
    Extractions: Free-form Optics for Computer Graphics the main idea results details more info The Main Idea Suppose you could take a camera - lens, film, and all - and stretch it like a blob of Silly Putty. You could wrap it around people, simultaneously capturing them from all directions. You could put one end of the blob on the ground floor of a building and stretch it up the stairs to the roof, getting one exposure of all the foot traffic in the whole building at once. You could change the shape of the camera for every image in a movie, capturing the point of view of multiple characters at once as they move around. The storytelling possibilities for such cameras are exciting. They could let us express novel visual relationships among characters and elements of the scene and how they affect one another. Computer graphics gives us for the first time the chance to create and use such cameras. So far most computer graphics cameras have been based on a simple pinhole camera, though sometimes we also include lens or shutter information. When we free ourselves of this physical model, we find that there's a whole new exciting grammar of visual storytelling to be explored.

55. Web Design Blog » Design Inspiration: Cubism, Picasso - Designbit
    cubism is an art movement that i find very inspiring as a designer, This is also a great vid of Picasso’s work including the cubism movement  
    http://designbit.co.uk/2007/12/19/what-is-cubism/

56. Cubism
    Not only is his work of historical importance—from his early experiments with cubism to his association with Dada and Surrealism—but his conception of the  
    http://french.chass.utoronto.ca/fcs195/dadaism.html
    
    Extractions: "Mona Lisa: LHOOQ" (1919) Another way of challenging art is to take a well known image, such as the Mona Lisa , and to give it a title which brings high art down to a very basic level. The letters LHOOQ, if read in French, come out something like this: “Elle a chaud au cul” which, literally, means “she is hot in the genital area”, a rather irreverent reading of a famous painting. For more about Duchamp, see:

57. A Fresh Soup Of Stock Cubism| Arts & Exhibitions | This Is London
    Art news and reviews plus details of London exhibitions from the Evening Standard.  
    http://www.thisislondon.co.uk/arts/artexhibition-20638416-details/Thomas Scheibi

58. What Is Cubism?
    Pablo Picasso and Georges Braque founded the art movement known as cubism in 1907. As an aesthetic and philosophical innovation, this type of painting and  
    http://www.wisegeek.com/what-is-cubism.htm
    
    Extractions: ad_unit_target='mainAdUnit'; X Close this window Pablo Picasso and Georges Braque founded the art movement known as Cubism in 1907. As an aesthetic and philosophical innovation, this type of painting and sculpture revolutionized modern abstract art for the rest of the 20th century. Paintings in this style are easily recognized by their faceted nudes, guitars, and still lifes in muted colors. Cubism has roots in Pointillism , Fauvism, and traditional folk sculpture from Africa. Cubists created an abstract, non-representational method of painting to depict three dimensional objects on a two dimensional plane while preserving multiple perspectives. Europeans were importing African figures to study ethnology, but Picasso and Braque valued the nude figurines and masks from an artistic view. They were drawn to the way masks were abstracted and dramatized faces. Also, Africans used natural materials such as wood that inspired cubists to utilize earth tone colors of browns and greens. Their paintings are characterized by geometric, fractured forms, muted, depthless colors, and unspecified edges. This method produced forms with a reinterpreted a point of view not reliant on classical theories of perspective, the disappearing horizon, or precise angles of illumination. They sought to incorporate simultaneous angles of a view on the same canvas, and highlight objects as merely their geometric constituents. They made free use of the basic Euclidean geometric solids: pyramid, cube, sphere, cylinder, and cone. The name "cubism" was originally intended as an insult to their "simplistic" depictions.

59. Nude Descending A Staircase
    Duchamp developed a type of symbolic painting, a dynamic version of facet cubism (similar to FUTURISM), in which the image depicted successive movements  
    http://www.idiom.com/~wcs/duchamp.html
    
    Extractions: Borrowed from Karl and Amy Olson's homepage via the Anonymizer. Marcel Duchamp (28 July 1887 - 2 October 1968) was a French painter and theorist, a major proponent of DADA, and one of the most influential figures of avant-garde 20th-century art. After a brief early period in which he was influenced chiefly by Paul CEZANNE and Fauve color, Duchamp developed a type of symbolic painting, a dynamic version of facet CUBISM (similar to FUTURISM), in which the image depicted successive movements of a single body. It closely resembled the multiple exposure photography documented in Eadweard MUYBRIDGE's book The Horse in Motion (1878). In 1912, Duchamp painted his famous Nude Descending A Staircase, which caused a scandal at the 1913 ARMORY SHOW in New York City. In the same year he developed, with Francis PICABIA and Guillaume APOLLINAIRE, the radical and ironic ideas that independently prefigured the official founding of Dada in 1916 in Zurich. In Paris in 1914, Duchamp bought and inscribed a bottle rack, thereby producing his first ready-made, a new art form based on the principle that art does not depend on established rules or on craftsmanship. Duchamp's ready-mades are ordinary objects that are signed and titled, becoming aesthetic, rather than functional, objects simply by this change in context. Dada aimed at departure from the physical aspect of painting and emphases in ideas as the chief means of artistic expression. In 1915, Duchamp moved to New York City, where he was befriended by Louise and Walter Arensberg and their circle of artists and poets, which constituted New York Dada. That same year he began his major work, The Large Glass, or The Bride Stripped Bare by Her Bachelors, Even (1915-23), a construction of wire and painted foil fitted between plates of transparent glass. In 1918 he completed his last major painting, Tu m', a huge oil and graphite on canvas, a unique combination of real and painted objects and illusionistic and flat space. Following his maxim never to repeat himself, Duchamp "stopped" painting (1923) after 20 works and devoted himself largely to the game of chess.

60. Dijkstra, B.: Cubism, Stieglitz, And The Early Poetry Of William Carlos Williams
    of the book cubism, Stieglitz, and the Early Poetry of William Carlos Williams by Dijkstra, B., published by Princeton University Press.  
    http://press.princeton.edu/titles/4403.html
    
    Extractions: Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings. Review: "Dijkstra has demonstrated beyond any doubt that Williams was enormously influenced by experimentation in the visual arts and that he attempted to emulate the Stieglitz group in focusing on the object itself, delineating it as precisely as possible and letting it represent the moment of perception without intruding personal comment." Comparative Literature Endorsement: "Georgia O'Keeffe's reaction when I told her in 1973 that I was starting a book on Stieglitz went from 'What for? Nobody who knew him could write about him' to 'Go ahead' because it would be fun for her to see what I had to say, and finally to her powerful instruction: 'Read Bram Dijkstra's [

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