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         Futurism:     more books (100)
  1. Performance Art: From Futurism to the Present (World of Art) by Roselee Goldberg, 2001-06
  2. Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909-1944 by Gunter Berghaus, 1996-02
  3. Futurism (Movements in Modern Art) by Richard Humphreys, 1999-02-13
  4. Futurism by Ester Cohen, Matthew Gale, et all 2009-05-01
  5. Futurism (Basic Art) by Sylvia Martin, 2005-02-01
  6. Inventing Futurism: The Art and Politics of Artificial Optimism by Christine Poggi, 2008-12-08
  7. Cubism and Futurism (Phaidon 20th-century art) by Maly Gerhardus, Dietfried Gerhardus, 1979-02-22
  8. Futurism: An Anthology (Henry McBride Series in Modernism)
  9. Vertigo: A Century of MultiMedia Art, from Futurism to the Web
  10. Futurism and the International Avant-garde by Anne D'Harnoncourt, Germano Celant, 1980
  11. Women Artists of Italian Futurism: Almost Lost to History by Mirella Bentivoglio, Franca Zoccoli, 1998-01
  12. RUSSIAN FUTURISM: A HISTORY by Vladimir Markov, 1969
  13. Futurism and the Technological Imagination. (Avant-Garde Critical Studies)
  14. The Futurism of the Instant: Stop-Eject by Paul Virilio, 2010-09-27

1. Futurism - Wikipedia, The Free Encyclopedia
futurism was an art movement that originated in Italy at the beginning of the 20th century. Although a nascent futurism can be seen surfacing throughout the
http://en.wikipedia.org/wiki/Futurism_(art)
Futurism
From Wikipedia, the free encyclopedia
(Redirected from Futurism (art) Jump to: navigation search This article is about the art movement. For other uses, see Futurism (disambiguation) An Example of Futurist Architecture, By Antonio Sant'elia Futurism was an art movement that originated in Italy at the beginning of the 20th century . Although a nascent Futurism can be seen surfacing throughout the very early years of the twentieth century, the essay Entwurf einer neuen „sthetik der Tonkunst (Sketch of a New Aesthetic of Music) by the Italian composer Ferruccio Busoni is sometimes claimed as its true starting point. Futurism was a largely Italian and Russian movement, although it also had adherents in other countries, England for example. The Futurists explored every medium of art, including painting sculpture poetry theatre ... architecture and even gastronomy . The Italian poet Filippo Tommaso Marinetti was the first among them to produce a manifesto of their artistic philosophy in his Manifesto of ( ), first released in Milan and published in the French paper Le Figaro February 20 ). Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. He and others also espoused a love of

2. Futurism: Manifestos And Other Resources
The definitive site on the Futurist art movement of the early 20th Century, featuring most of the original manifestos of the members, and an extensive list
http://www.unknown.nu/futurism/
Futurism
Too bad they were all Fascists.
Manifestos

3. ArtLex On Futurism
The Futurist art movement defined with images of examples from art history, great quotations, and links to other resources.
http://www.artlex.com/ArtLex/f/futurism.html
F uturism or futurism - A modern art movement originating among Italian artists in 1909, when Filippo Marinetti's first manifesto of futurism appeared, until the end of World War I. Futurism was a celebration of the machine age, glorifying war and favoring the growth of fascism. Futurist painting and sculpture were especially concerned with expressing movement and the dynamics of natural and man-made forms Some of these ideas, including the use of modern materials and technique , were taken up later by Marcel Duchamp (French, 1887-1968), the cubists , and the constructivists
Examples: Giacomo Balla (Italian, 1871-1958), oil on canvas , 68 3/4 x 45 1/4 inches (174.7 x 114.7 cm), Museum of Modern Art, NY. An extra-large image of this painting. Giacomo Balla, Speeding Automobile (Automobile in corsa) oil on wood , 21 7/8 x 27 1/8 inches (55.6 x 68.9 cm), Museum of Modern Art, NY. Giacomo Balla, oil on canvas , 50.2 x 65.4 cm, Tate Gallery, London. Giacomo Balla, Figure in Movement pencil and watercolor on paper , 22.5 x 29.5 cm, Tehran Museum of Contemporary Art, Iran. Giacomo Balla

4. Italian Futurism
Italian futurism was initially a literary movement created by Filippo Tommaso Marinetti in 1909 with the manifesto Le futurisme.
http://cotati.sjsu.edu/spoetry/folder6/ng63.html
Italian Futurism
Giacomo Balla, Marinetti
Italian Futurism was initially a literary movement created by Filippo Tommaso Marinetti in 1909 with the manifesto Le Futurisme . The intentions of this manifesto was a wake-up call to Marinetti's countrymen to make them aware that they had been 'wearing second-hand clothes for too long.' It was time for them to create a new art for themselves, forged out of the beauty of speed and a glorification of war: Art, in fact, can be nothing but violence, cruelty, and injustice . That the manifesto was first written in French and published in the Parisian newspaper Le Figaro before any of the new Futurist art existed, typified Marinetti's understanding of the power of the media to work for him and disseminate his ideas. M. Angelini, Ritratto di Marinetti
F. T. Marinetti along with the artists that he gathered around him, wrote manifestos not only on literature, music, dance, performance, painting, architecture, etc. but also on almost all aspects touching everyday life, such as clothing, food , smells, war and lust . Futurism was the first attempt in the 20th century to reinvent life as it was being transfixed by new technologies and conceive of a new race in the form of machine-extended man. Futurism succinctly reiterated a cognate set of ideas which reverberates all through a multitude of forms in 20th century art expression. These were ideas which were already in the air, many filtering up through the Symbolist and Expressionistic poets of the 19th century. The impact of radically

5. WebMuseum: Futurism
futurism, Italian futurismo , Russian futurism , an early 20thcentury artistic movement that centred in Italy and emphasized the dynamism, speed, energy,
http://www.ibiblio.org/wm/paint/glo/futurism/
Futurism
Futurism, Italian Futurismo , Russian Futurism , an early 20th-century artistic movement that centred in Italy and emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life in general. The most significant results of the movement were in the visual arts and poetry. Futurism was first announced on Feb. 20, 1909, when the Paris newspaper Le Figaro published a manifesto by the Italian poet and editor Filippo Tommaso Marinetti (q.v.). The name Futurism, coined by Marinetti, reflected his emphasis on discarding what he conceived to be the static and irrelevant art of the past and celebrating change, originality, and innovation in culture and society. Marinetti's manifesto glorified the new technology of the automobile and the beauty of its speed, power, and movement. He exalted violence and conflict and called for the sweeping repudiation of traditional cultural, social, and political values and the destruction of such cultural institutions as museums and libraries. The manifesto's rhetoric was passionately bombastic; its tone was aggressive and inflammatory and was purposely intended to inspire public anger and amazement, to arouse controversy, and to attract widespread attention. Movement in art, music, and literature begun in Italy about 1910 and marked esp. by an effort to give formal expression to the dynamic energy and movement of mechanical processes.

6. The FUTURISM Page
A page devoted to the scientific prediction and philosophical discussion of the future.
http://www.scholiast.org/futurism/
This page is devoted to the scientific and philosophical exploration of the
potentialities and dangers of the immediate as well as the remote future. nanotechnology
biotechnology the singularity transhumanism leaving earth: space travel

7. Mark Harden's Artchive: "Futurism"
The term futurism caught the imagination of writers and artists throughout the world, as did Marmetti s insistence that the artist turn his back on past art
http://www.artchive.com/artchive/futurism.html

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FUTURISM:
Dynamism as the Expression of the Modern World
by Joshua C. Taylor
On February 20, 1909, the energetic bilingual poet and editor, F. T. Marinetti, publisher of the controversial literary magazine Poesia (Milan), announced the movement of Futurism in a belligerent manifesto published on the front page of the Paris newspaper Le Figaro . The term Futurism caught the imagination of writers and artists throughout the world, as did Marmetti's insistence that the artist turn his back on past art and conventional procedures to concern himself with the vital, noisy life of the burgeoning industrial city. In Italy a group of painters gathered with the poets around Marinetti in 1909 to work out the implications of his manifesto for the visual arts. They published first a general manifesto, "The Manifestos of Futurist Painters," in February 1910, then, in March, the more specific "Futurist Painting: Technical Manifesto." It was not until much later in the year, however, that the painting of the three most notable of the first signers, Umberto Boccioni (1882-1916), and Luigi Russolo (1885-1947), showed revolutionary formal changes consistent with the procedures set forth in the Technical Manifesto. Originally the manifestoes were subscribed to also by Aroldo Bonzagni and Romolo Romani, but they soon dropped out, and

8. Guggenheim Collection - Movement - Futurism
In a stylistic idiom that integrated some of the techniques of Cubism and Divisionism, the Futurists glorified the energy and speed of modern life together
http://www.guggenheimcollection.org/site/movement_works_Futurism_0.html
Futurism In a stylistic idiom that integrated some of the techniques of Cubism and Divisionism, the Futurists glorified the energy and speed of modern life together with the dynamism and violence of the new technological society.
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Kazimir Malevich, Morning in the Village after Snowstorm,
Giacomo Balla, Abstract Speed + Sound,
Natalia Goncharova, Cats (rayist percep.[tion] in rose, black, and yellow),
Umberto Boccioni, Dynamism of a Speeding Horse + Houses,
Raymond Duchamp-Villon, The Horse, 1914 (ca. 1930)
Albert Gleizes, Woman with Animals (Madame Raymond Duchamp-Villon), completed by February 1914
click on images for details

9. The Italian Futurist Book
This is an online exhibition of Italian Futurist books, famous for their innovative uses of typography and graphic design, from the years 19091944.
http://colophon.com/gallery/futurism/
Futurism (1909-1944) was perhaps the first movement in the history of art to be engineered and managed like a business. Since its beginning, Futurism was very close to the world of advertising and, like a business, promoted its product to a wide audience. For this reason, Futurism introduced the use of the manifesto as a public means to advertise its artistic philosophy, and also as a polemic weapon against the academic and conservative world. The poet F.T. Marinetti, founder of the movement, wrote in his first manifesto of February 1909, "Up to now, literature has exalted a pensive immobility, ecstasy, and sleep. We intend to exalt aggressive action, a feverish insomnia, the racer's stride, the mortal leap, the punch and the slap. We affirm that the world's magnificence has been enriched by a new beauty: the beauty of speed. . . We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice." Futurism, as opposed to Cubism, an essentially visual movement, found its roots in poetry and in a whole renovation of language, and featured the concept of the New Typography. Since 1905, Marinetti had promoted from the pages of his magazine

10. FLUXEUROPA: FUTURISM
futurism was one of the longest lived and broadest encompassing artistic movements of the 20th century, although it tends to be denied the importance it
http://www.fluxeuropa.com/futurism.htm
FluxEuropa - dark music and more FluxEuropa has suspended active publication and no longer requires items for review. The site is, however, being maintained as an archive and you can still post to the Gigboard and order Amazon products which helps to subsidise its continuation. Search this site: home art features
THE CHALLENGE OF FUTURISM
FUTURISM was one of the longest lived and broadest encompassing artistic movements of the 20th century, although it tends to be denied the importance it deserves because of its political associations. Many of the early Futurists were anarchists, the movement was welcomed by Gramsci and emulated amongst the Bolsheviks, but it was the association of Futurismo with Fascismo that has left it somewhat tainted amongst progressives. This is ironic in that Futurism was the quintessenence of 20th century modernism and paralleled 'the cult of the new' exemplified in Lenin's dictum "socialism + electricity = communism". Although Mussolini's regime utilised modernist traits, it was more at home with the neo-classicism of Novecento Although mainly associated with the visual arts, Futurism began in 1909 with the proclamation of a manifesto by the Italian poet

11. FUTURISM
An Italian avantgarde art movement that took speed, technology and modernity as its inspiration, futurism portrayed the dynamic character of 20th century
http://www.artmovements.co.uk/futurism.htm
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document.write(getTableBegin('Http://www.artistportfolio.net/images/bar16_gg.gif','Art Movements','valign=top height=200')) FUTURISM KEY DATES:1909-1944 An Italian avant-garde art movement that took speed, technology and modernity as its inspiration, Futurism portrayed the dynamic character of 20th century life, glorified war and the machine age, and favoured the growth of Fascism. The movement was at its strongest from 1909, when Filippo Marinetti's first manifesto of Futurism appeared, until the end of World War One. Futurism was unique in that it was a self-invented art movement. The idea of Futurism came first, followed by a fanfare of publicity; it was only afterwards that artists could find a means to express it. Marinetti's manifesto, printed on the front page of Le Figaro, was bombastic and inflammatory in tone - "set fire to the library shelves... flood the museums" - suggesting that he was more interested in shocking the public than exploring Futurism's themes. Painters in the movement did have a serious intent beyond Marinetti's bombast, however. Their aim was to portray sensations as a "synthesis of what one remembers and of what one sees", and to capture what they called the 'force lines' of objects.

12. GOTHIC FUTURISM
A title concerning a new twist on the old mythologies and religions.
http://www.gothicfuturism.com/

13. The Futurist Manifesto
It is in Italy that we are issuing this manifesto of ruinous and incendiary violence, by which we today are founding futurism, because we want to deliver
http://www.cscs.umich.edu/~crshalizi/T4PM/futurist-manifesto.html
The Four Post-Modernizations
The Futurist Manifesto
F. T. Marinetti
We have been up all night, my friends and I, beneath mosque lamps whose brass cupolas are bright as our souls, because like them they were illuminated by the internal glow of electric hearts. And trampling underfoot our native sloth on opulent Persian carpets, we have been discussing right up to the limits of logic and scrawling the paper with demented writing. Our hearts were filled with an immense pride at feeling ourselves standing quite alone, like lighthouses or like the sentinels in an outpost, facing the army of enemy stars encamped in their celestial bivouacs. Alone with the engineers in the infernal stokeholes of great ships, alone with the black spirits which rage in the belly of rogue locomotives, alone with the drunkards beating their wings against the walls. Then we were suddenly distracted by the rumbling of huge double decker trams that went leaping by, streaked with light like the villages celebrating their festivals, which the Po in flood suddenly knocks down and uproots, and, in the rapids and eddies of a deluge, drags down to the sea. Then the silence increased. As we listened to the last faint prayer of the old canal and the crumbling of the bones of the moribund palaces with their green growth of beard, suddenly the hungry automobiles roared beneath our windows.

14. Futurism
futurism, a unique phenomenon to the modern era, not only found its roots in many of the arts, but also and most persuasively in politics.
http://www-camil.music.uiuc.edu/Projects/EAM/Futurism.html
Futurism Futurism, a unique phenomenon to the modern era, not only found its roots in many of the arts, but also and most persuasively in politics. The Futurists were the first artists of this century who pledged themselves to ideological activism and devoted their energies and talents to converting he masses to that ideal, rather than to formalizing and promoting their individual artistic merits." The Futurist artistic movement began not through a series of works as most other artistic movements do, but through a series of manifests. Marinetti's bellicose manifesto generated interest and brought Italy into the Twentieth century. His militant views on politics and is visionary artistic mind created a public demand for a forward thinking society. Many artists were drawn to Marinetti's empassioned statements; others only in spirit. Some artists pointed out that there was nothing new in the Futurist movement, while although it was most likely true, did not dissuade its followers Marinetti turned his political efforts to reacquiring land in the northern portion of Italy that had been claimed by Austria. He was again rewarded and in 1915, Italy won back the rights to most of these northern territories. When World War I started shortly after, the Futurists all enlisted. Some of them, such as Luigi Russolo, became officers in the army and became highly decorated soldiers. At the end of the war, the Futurists returned to their promotion of their forward thinking philosophies. These interested a forward-thinking, young Fascist named Benito Mussolini. It was Mussolini who became one of the most politically active in conjunction with the positions of the Futurists, during the years 1918 to 1920. After the successful reintegration of the position of the Futurists in society, Mussolini used his political clout to silence them. The discarded Futurists became embittered by the political situation, and with drew them selves from political activism.

15. FutureWire - Futurism And Emerging Technology
While we may have no choice but to rely on biofuels in the future, some futurists are sounding the alarm about the unintended consequences of biofuel
http://futurewire.blogspot.com/
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FutureWire - futurism and emerging technology
ping('7452638959588067833');
Wednesday, August 08, 2007
Unintended Consequences of Biofuels
Biofuels, particluarly those derived from ethanol, have been heralded as an ideal way to wean us off of polluting and increasingly expensive fossil fuels. While we may have no choice but to rely on biofuels in the future, some futurists are sounding the alarm about the unintended consequences of biofuel reliance. In July, the futurist think tank Global Business Network noted that crop growth for biofuels could come at the expense of the world food supply . Others are citing the phenomenon of "agflation," or the increased price of all things agricultural, from produce to dairy products to real estate in rural areas. Indeed, manufacturers of all types are beginning to notice higher prices for animal by-products used in products such as soaps.
While market forces may eventually correct agflation-driven price increases, the time is now to understand that energy solutions such as biofuel are not "magic bullets" without impact in other areas, and to mitigate those impacts.

16. Charlie's Diary: Inductive Futurism
Inductive futurism. Take two news items about the same subject. Firstly MI5 want to data mine the Transport for London Oyster card database The Observer
http://www.antipope.org/charlie/blog-static/2008/03/inductive_futurism.html
Charlie's Diary
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Inductive futurism
Take two news items about the same subject: Firstly: MI5 want to data mine the Transport for London Oyster card database : "The Observer said this weekend that the Information Commissioner's Office (ICO) has confirmed that the clandestine services have requested full Oyster access, and would target other cities' smartcard travel schemes as they come online. At present they can request details of an Oyster user's transactions - and hence, time-slugged locations - on an individual basis only, rather than having free rein to search the system as they please. This could include mining the entire database to look for suspicious patterns, and tracking named individuals." Secondly: Wireless subway cards cracked Bruce Schneier flagged it as highly likely a couple of months ago more here from Ed Felten Here are two possible consequences: Hypothesis (a): the card infrastructure for a major metropolis or small country can't easily be replaced. The Dutch government spent $2Bn on OV-chipkaart, which for a nation of 20 million people is $BIGNUM. If you're American, it's equivalent to your government dropping thirty big ones on something. You'd probably notice it if they said "oops, it's broken". There is huge institutional resistance to scrapping and replacing a system like this, and upgrading it in situ is going to be very difficult. The UK did it a couple of years ago when APACS members ripped out and

17. The Future Of Futurism. - By Reihan Salam - Slate Magazine
It s easy to make futurists look silly. For every prediction that comes true (or that sort of comes true—Nostradamus predicted that someone named Hister
http://www.slate.com/id/2144775/
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18. CFE - The Center For Futurism In Education
This is where our activities, at the Center for futurism in Education (CFE), start. We bring forward a set of Humanistic values and set them as the guiding
http://www.bgu.ac.il/futuredu/
Background People Research Projects Resources Events Contact Us Links The Center for Futurism in Education CFE - The Center for Futurism in Education Education has become the object of many scientific disciplines in our postmodern era. From developmental psychology, pedagogics and learning theories, to organizational theory, computer science and economics - it seems that almost any branch of research has something to say about how education system should be designed, why they operate as they do, and what can be done to improve them. But beyond the scientific approach towards education lies a fundamental layer that should be made explicit, before any operationalization is made possible. Postmodernity has brought many changes that pose a challenge to any attempt to fundamentally approach the question of education:
Where should education aim at? The ever growing availability of information and knowledge, the globalization of society, and at the same time the growing diversity and regionalization of states, the free market economy and ever expending privatization of once-universal or national assets - all these factors and many more call for re-approaching the question of the aims of education. Any such attempt to address this question must stem from a deep understanding of prevailing practices – and among them, first and foremost that of

19. Future Hi - Your Community For Visionary Art, Science, Technology & Spirituality
Afro futurism Alex Grey Annalee Newitz Association of Transpersonal Psychology Ayahuasca Healing Better Humans
http://www.futurehi.net/
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    20. Futurism — Infoplease.com
    futurism, Italian school of painting, sculpture, and literature that flourished from 1909, when Filippo Tommaso Marinetti s first manifesto of futurism
    http://www.infoplease.com/ce6/ent/A0819929.html
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      futurism
      futurism, cubism . Their approach to the rendering of movement by simultaneously representing several aspects of forms in motion influenced many painters, including Duchamp and Delaunay. Futurist principles and techniques strongly influenced Russian constructivism See studies by M. W. Martin (1968), J. Rye (1972), U. Apollino (1973), C. Tisdale and A. Bozollo (1985), and M. Perloff (1989).

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