1. Theatre And Drama In Ancient Greece Origins of Theatre Theatre and Drama in Ancient Greece Roman and Byzantine Theatre and Drama European Drama in the Middle Ages Italian http://www.cwu.edu/~robinsos/ppages/resources/Theatre_History/Theahis_2.html

Origins of Theatre [ Theatre and Drama in Ancient Greece ] Roman and Byzantine Theatre and Drama European Drama in the Middle Ages Italian Theatre and Drama English Theatre Middle Ages to 1642 ... Drama After 1968 II. Theatre and Drama in Ancient Greece The Greeks' history began around 700 B.C. with festivals honoring their many gods. One god, Dionysus , was honored with an unusual festival called the City Dionysia. The revelry-filled festival was led by drunken men dressed up in rough goat skins (because goats were thought sexually potent) who would sing and play in choruses to welcome Dionysus. Tribes competed against one another in performances, and the best show would have the honor of winning the contest. Of the four festivals in Athens (each reflecting seasonal changes), plays were only presented at one festival City Dionysia. Historians believe that the Greeks patterned their celebrations after the traditional Egyptian pageants honoring Osiris. At the early Greek festivals, the actors, directors, and dramatists were all the same person. Later, only three actors could be used in each play. After some time, non-speaking roles were allowed to perform on-stage. Because of the limited number of actors allowed on-stage, the chorus evolved into a very active part of Greek theatre. Though the number of people in the chorus is not clear, the chorus was given as many as one-half the total lines of the play. Music was often played during the chorus' delivery of its lines.

2. Ironwood Theatre, Ironwood, Michigan Historic Ironwood Theatre Center for the Performing Arts. http://www.ironwoodtheatre.net/theatre_history.html

Home Theatre Info Theatre History Board Members ... Contact / Mailing List History The Ironwood Theatre was built as a vaudeville/silent movie palace in 1928 under the direction of Architect Albert Nelson at a cost of $160,000. Under the leadership of A.L. Pikar, the theatre became the center of entertainment in the Ironwood area. The Hollywood Golden Age of the 30,s, 40s and 50s followed the Great Depression. In the 60s, the Ironwood Theatre was sold to Thomas Theatres of Iron Mountain. The theatre operated as a first run movie house until it's closing in 1982. In 1982, owner Thomas Renn gave the Ironwood Theatre to the City of Ironwood through the Downtown Ironwood Development Authority (DIDA). Restoration efforts began at that time under the direction of the newly formed Ironwood Theatre Preservation Committee. On January 11, 1985, the Ironwood Theatre was placed on the National Registry of Historic Places.

3. Toronto Operetta Theatre_History & Mandate A BRIEF HISTORY. Toronto Operetta Theatre is Canada s premier professional operetta company. Founded in 1985, TOT has a mandate to produce classical http://www.torontooperetta.com/history-mandate.htm

Home Schedule About Us Sponsors ... Contacts Box Office: Admin Office: 416-922-2912 How to Buy Tickets A BRIEF HISTORY Toronto Operetta Theatre is Canada's premier professional operetta company. Founded in 1985, TOT has a mandate to produce classical operetta, light opera and music theatre featuring professional Canadian artists of exceptional talent. Artists of great stature have thrilled Toronto Operetta Theatre patrons, including Jane Archibald, Laura Whalen, Elizabeth DeGrazia, Barbara Hannigan, Linda Maguire, Fred Love, Michael Burgess, Henry Ingram and Mark DuBois. Conductors Susan Haig, Kerry Stratton, Robert Cooper, Derek Bate, Alexis Hauser and Victor Feldbrill have led the music and the fun entertainment in a wide variety of repertoire including The Merry Widow, Die Fledermaus, Leo The Royal Cadet, La Vie Parisienne, Cecilia Valdes, My Fair Lady, The Mikado, Naughty Marietta, Countess Maritza and The White Horse Inn. Michael Burgess as Count Tassilo and Susan Gudgeon as Manja Back to About Us Top The Mandate of Toronto Operetta Theatre is: to promote the advancement of musical education in Canada including, but not limited to:

4. Community Players Theatre People artistically change the world. By Bruce Parrish, Historian and Anthony Holloway, Board of Governors Emeritus Did you know that a handful of people http://www.communityplayers.org/theatre_history.html

History People artistically change the world By Bruce Parrish, Historian and Anthony Holloway, Board of Governors Emeritus Did you know that a handful of people could change the world by creating a place of hard work, dedication, and artistic beauty? That is precisely what happened in 1923. A women's club met and discussed creating a group to perform some amateur theatricals. They wanted the opportunity to display their talents and the skills they had learned elsewhere. Now eighty-one years later, Community Players continues in that tradition by developing six theatrical productions this year. Community Players has several distinctions. It is one of the oldest community theatres completely staffed by volunteers. Community Players has been able to present many shows shortly after their Broadway run and, on many occasions, presented the first amateur production of these shows in the United States. Many students from Illinois Wesleyan University and Illinois State University supplemented their education by working on shows at Community Players. The theatre has provided opportunities for anyone from McLean County and the surrounding communities to display their talents in plays, musicals, and children's productions. Moreover, from time to time, the amateur experience has encouraged someone to attempt a theatrical career by either returning to school or auditioning for theatres in Chicago, St. Louis or other cities.

5. OSF Theatre History - OSF Archive - About Us - Oregon Shakespeare Festival Official web site of the Oregon Shakespeare Festival in Ashland, Oregon. Buy tickets, learn about the season, and much more. http://www.osfashland.org/about/archive/theatre_history.aspx

@import "/_inc/modern.css"; Site Search Festival Planner My account Log in from humble beginnings The Oregon Shakespeare Festival traces its roots back to the Chautauqua movement, which brought culture and entertainment to rural areas of the country in the late 19th century. Ashland's first Chautauqua building — erected in 1893, mostly by townspeople — saw its first performance on July 5. In 1905, the building was enlarged to accommodate an audience of 1,500. Families traveled from all over Southern Oregon and Northern California to see such performers as John Phillip Sousa and William Jennings Bryan during the Ashland Chautauqua's 10-day seasons. In 1917 a round, dome-covered structure was erected in the place of the original Chautauqua building. The structure fell into disuse, however, when the Chautauqua movement died out in the early 1920s. The dome was torn down in 1933, but the cement walls remain standing today; covered with ivy, they surround the Elizabethan Stage. Angus L. Bowmer, an enthusiastic young teacher from Southern Oregon Normal School (now Southern Oregon University), was struck by the resemblance between the Chautauqua walls and some sketches he had seen of Elizabethan theatres. He proposed producing a "festival" of two plays within the walls, in conjunction with the City of Ashland's Fourth of July celebration. The City cautiously advanced Bowmer a sum "not to exceed $400" for the project. SERA (State Emergency Relief Administration) funds provided a construction crew to build the stage and improve the grounds.

6. Film Action Oregon Film Action Oregon Website dedicated nurturing independent filmmaking by educating emerging filmmakers, supporting working artists and engaging diverse http://www.hollywoodtheatre.org/engaging/theatre_history.html

Home Engaging About the Theatre : Theatre History Then Originally a 1500 seat venue, the Hollywood theatre has experienced many transformations during the last 76 years. The Hollywood was the last venue in Portland built both as a vaudeville house and as a movie theatre, and the first film show was the silent picture More PayLess Work , by producer Peter B. Keyne. General admission was just 25 cents and children's tickets were only a dime. For Portland's big spenders, loge seating was available for 40 cents. Because sound did not come to the big screen until well in 1927, there was an eight-piece orchestra and an organist to accompany the silent films, and a variety of live acts filled out the evening's entertainment. In the 1950's the Hollywood was transformed into the first Cinerama theatre in the Pacific Northwest. This ultra-wide screen film format required the addition of two projection booths and a huge wrap-around screen. After the novelty of Cinerama had dissipated and more cost effective wide screen formats were developed, more changes occurred. In 1975 walls were installed in the Theatre's balcony, and projection booths were installed to create three separate auditorium spaces. The Theatre currently includes a 468-seat main auditorium (the original orchestra), a 180-seat venue (one-half of the original balcony), and a 190-seat venue (the other half of the original balcony. All three venues are capable of screening films. Now In 1997, Film Action Oregon (FAO) recognized the opportunity to preserve an important part of Oregon's cultural history by purchasing the Hollywood Theatre. FAO quickly realized the Theatre's essential role in the surrounding Northeast Portland community. In the fall of 1997, Film Action Oregon's small staff began to transform the neglected second-run theatre into the thriving community treasure it once was.

7. Theatre History Theatre History http//www.cwu.edu/~robinsos/ppages/resources/theatre_history/index. htm. Digital Bibliography http//www.abacon.com/brockett/links.html http://www.bv229.k12.ks.us/bvn_lmc/Webliographies 07-08/theatre_history.htm

Theatre History Databases: Gale Virtual Reference Library - these are ebooks Gale Literature Resource Center - this link will only work at school to access from home use Kan-Ed Learning Station - Username is your school login name, subscription id is bvnhs, password is your id number. Use the Thomson-Gale link then scroll to the bottom. ProQuest Literature Hints: When searching try using both "theatER" and "theatRE" Try switching from keyword search to entire document search Websites: Theatre History on the Web: http://www.videoccasions-nw.com/history/jack.html Theatre History Sites on the Web: http://www.win.net/~kudzu/history.html Theatre History: http://www.cwu.edu/~robinsos/ppages/resources/Theatre_History/index.htm Digital Bibliography: http://www.abacon.com/brockett/links.html Theatre Studies, Articles and Resources: http://vl-theatre.com/list15.shtml Theatre History Resources from Artslynx: http://www.artslynx.org/theatre/history.htm Theatre History: http://pages.towson.edu/quick/rlqguideth.html Selected Specialized Web Resources for Theater History: http://www.library.yale.edu/humanities/theater/history.html#websites

8. Theatre The Theatre was originally built in 1920 as the 3000 seat Victory Theatre for the presentation of films. Following the opening of the Palais Theatre in the http://www.nationaltheatre.org.au/www/venue/theatre_history.html

9. Drama: Theatre History On The Web Navigation. Home Criticism August Wilson Bernard Shaw a Brief Biography Dramaturgy Bibliography Minor Elizabethan Drama http://drama.eserver.org/criticism/theatre_history.html

@import url(http://drama.eserver.org/ploneColumns.css); @import url(http://drama.eserver.org/plone.css); @import url(http://drama.eserver.org/ploneCustom.css); Skip to content. EServer Drama Home Criticism Theatre History on the Web Drama Search Sections Home Criticism Journals Links ... SiteMap Navigation Home Criticism August Wilson Bernard Shaw: a Brief Biography Dramaturgy Bibliography Minor Elizabethan Drama The New Spirit In Literature The Sources of Idealism Theatre History on the Web Wilde, Society, and Society Drama Journals Links Plays Theatre History on the Web This site has been maintained since 1996 to provide easy access to useful research sites throughout the world. The link address is: http://www.videoccasions-nw.com/history/jack.html Personal tools You are not logged in Log in var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www."); document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E"));

10. The History Of Bolshoi Ballet Theatre . http://www.balet.by/theatre_history.php?lang=ENG

11. NYC.gov - Mayor's Office Of Film, Theatre & Broadcasting - History Of Theatre Although the history of theatre in New York City dates back to well before the 1800’s, it was the beginning of the 20th century that saw the establishment http://www.nyc.gov/html/film/html/theatre/theatre_history.shtml

The New York Times From the beginning, Broadway gained praise and popularity with shows including The Wizard of Oz Babes in Toyland Madame Butterfly and Peter Pan Shuffle Along Very Good Eddie is often credited as being the first to incorporate songs as part of the action. This style was continued by Kern, Bolton and P.G. Wodehouse, and most fully realized in 1927 in Showboat , the first show in which songs were written to match the story line, rather than the other way around. When the United States entered World War I in 1917, the theatre community rallied. Irving Berlin wrote Yip, Yip, Yaphank Ziegfield Follies of 1917 was so popular that the French government reportedly commissioned pictures of the leading actress, Kay Laurell, to help recruit soldiers. Broadway stars organized food drives, promoted Liberty Bonds on stage and even volunteered on a seventeen-city tour, raising well over half a million dollars for the Red Cross. next page design by 1697 Broadway Suite 602, New York, New York 10019. Contact Us FAQs Privacy Statement Site Map

12. UVic Theatre History Theatre History. The Seagull (2000) Wanted (2004) The Taming of the Shrew (2003) Frogs (2000) The Imaginary Invalid (2002) http://finearts.uvic.ca/theatre/specialties/theatre_history/

Department of Theatre Theatre History university of victoriA Theatre History The Seagull (2000) Wanted (2004) The Taming of the Shrew (2003) Frogs (2000) ... The Imaginary Invalid (2002) Designed originally by distinguished theatre historians Michael Booth and Alan Hughes, our history program provides students with a rare opportunity to study the theatrical past within a practically-oriented, fully functioning contemporary theatre complex. Students create their programs in close consultation with faculty, choosing from among a wide range of areas of study. Current faculty specialties include finance and economics, acting, ancient Greek theatre, 19th- and 20th-century commercial theatre, opera history, and theatre criticism. Students may also study the history of design, directing, dramatic literature and production. Our affiliation with the Faculty of Fine Arts offers students exciting opportunities for pursuing interdisciplinary studies in Music and Opera, Writing, Visual Arts and Art History. In addition, UVic's outstanding departments of History, Law, English, Greek and Roman Studies, Pacific and Asian Studies, and Germanic Languages and Literatures provide theatre history students with many courses and resources directly relevant to their studies.

13. Theatre History The Rocky Hock Playhouse is a live, indoor, year round, Christian Musical Theatre operate by the Emmerich Theatre Production Company in the town of Edenton http://www.rockyhockplayhouse.com/theatre_history.html

The Rocky Hock Playhouse doors opened in Edenton, North Carolina in 2000. However, the theatre's roots go back to 1997. In the summer of that year Jeffrey and Gloria Emmerich were invited to Nags Head, NC to put together a summer stock pilot theatre. They ended up taking nearly 40 students to North Carolina’s Outer Banks from North Central University in Minneapolis, MN where they were professors of theatre, music, and communications. In Nags Head the cast performed such musicals as Under His Wings, The Fantasticks and Anne of Green Gables The Emmerichs worked out of a temporary theatre on the Outer Banks again during the summer of 1998 but it was soon apparent that they needed to find a more permanent location. It was their desire to stay in the general area since the location was good. Patrons were coming regularly from the Hampton Roads area, (Chesapeake, Virginia Beach, Suffolk, Newport News, Williamsburg, Hampton, VA, etc.), as well as from as far away as Richmond, VA (near Washington D.C.), Raleigh and Greenville, NC, and Myrtle Beach and Charleston, SC. They began phoning county government offices in various small towns across NE North Carolina to get an idea of who might be interested in helping them move the theatre operation to their community. It seemed that everywhere they called people were saying, “Go to Edenton!” While visiting Edenton, which is on the Albemarle Sound in Chowan County and about 60 miles due west of Kitty Hawk, NC, the Emmerichs arranged to meet with various government officials, assistants, school principals, Edenton and Chowan County Chamber of Commerce representatives, and local leaders. The reception was overwhelmingly positive. It turned out that many people from Chowan County had been to the Outer Banks to see

14. New Candlelight Theatre The New Candlelight Theatre Our History. Candle Light Theatre Photo1 Once upon a time, around 75 years ago, an old barn in Ardentown, Delaware was reborn http://www.newcandlelighttheatre.com/nct/nct.nsf/theatre_history

Contact Us The New Candlelight Theatre - Our History Once upon a time, around 75 years ago, an old barn in Ardentown, Delaware was reborn as a theatre. Throughout the Depression and WW II years it was the site of many entertainments and a popular summer stock venue called The Robin Hood Theatre. Its stage was graced by many who would become America's stars of film, television and musical theatre. After a time, the lights dimmed at the old barn and most assumed that it had outlived its days of glory. Then, in the grand tradition of Mickey Rooney and Judy Garland, a trio of visionaries decided to put on a show at the old barn. A lot of shows. In 1969, without much cash, but with many hopes and dreams, John and Lena O'Toole and the late Julian Borris, transformed the old barn into Delaware's first dinner theatre. With the words, “Playgoers, I bid you welcome,” Julian Borris opened Candlelight's first show, "A Funny Thing Happened on the Way to the Forum," and ushered in a new era of theatre that continues to the present. For over 30 years, Candlelight Music Dinner Theatre has presented an average of five major productions annually and nurtured the talents of many, including Tony Award-winner Susan Stroman, film star Bruce Willis, Broadway musical star Diane Fratantoni and many others.

15. The Kingsport Theatre Guild The Kingsport Theatre Guild is dedicated to providing quality live dramatic performances in Kingsport, Tennessee. http://www.kingsporttheatre.org/theatre_history.asp

History of the Kingsport Theatre Guild The Kingsport Theatre Guild, Inc., is one of the oldest community theaters in the state, this year embarking on its 58th year of continuous operation. J. Fred Johnson, one of the city founders, may have been Kingsport’s first prominent thespian. He appeared in a 1920 theatrical production titled “Everybody’s Husband” for the benefit of a future public library. It wasn’t until 1947, however, that an official community theater was formed and Kingsport Theatre Guild presented its first formal offering, “Yes and No.” Through the years the Kingsport Theatre Guild has performed in a variety of venues, including a barn on Eden’s Ridge, school auditoriums, church fellowship halls, a community center on Sullivan Street, a Fine Arts Center on Church Circle, and, currently, at the Renaissance Center. J. Fred Johnson, one of the city founders, may have been Kingsport's first prominent thespian. In 1992, KTG expanded its board of directors to include more community representatives and in 1993 hired its first staff person. Since that time, much has been accomplished. Growing audiences and increasing financial support from local businesses and individuals have enabled the Kingsport Theatre Guild to offer a year-round schedule of musicals, dramas, comedies and thrillers, as well as children’s theater produced specifically for school groups. Volunteer performers and technicians work closely with theater professionals and staff to ensure high-quality productions, providing a valuable educational experience for all those who participate, whether as actors, musicians, crew, or technicians. KTG’s production of “Swingtime Canteen” was one of the highlights of Fun Fest ’00, as were Fun Fest 2002’s "Joseph and The Amazing Technicolor Dreamcoat" and '03's "A Funny Thing Happened On The Way To The Forum".

16. Mull Theatre Mull Theatre provides Drama, Dance, Plays, Entertainment, Musicals. http://www.mulltheatre.com/theatre_history.htm

What's On Mull Theatre Archive New Centre ... Home About Us History Mull Theatre was founded in 1966. Established in a converted coach house in the grounds of a Free Church Manse, its performance space has retained an unique atmosphere. Its founders were Barrie and Marianne Hesketh (both subsequently awarded OBEs), two actors who had settled on Mull to bring up their family. They took their idea into the pages of the Guinness Book of Records as the world's smallest theatre as they produced a regular season of plays, as well as mounting small-scale tours all over Britain and into Europe. Marianne died in 1984 and when Barrie left the island the subsequent year, the company was kept going, first by his son Nick, then by a dedicated board of local supporters who, under the direction of David Pitman, engaged a professional team for annual seasons of plays. Copies of Taking Off: The Story of Mull Little Theatre by Barrie Hesketh are available from Mull Theatre Jump to top whats on mull theatre ... new centre

17. Electric Lodge Theatre History Community theatre in Venice California, Live performances. http://www.electriclodge.org/theatre_history.html

Home The Lodge: a home; a place for travelers to rejuvenate their souls. Schedule of Events Class Schedule Tickets Facilities ... Contact us ELECTRIC LODGE HISTORY The Electric Lodge built in 1940; by the Masons has remained the Masonic Lodge until this incarnation began May 1996. Through the 5 challenging years of gestation, including an extensive renovation, the Lodge has seen the likes of drama, yoga, dance (butoh and other), music, photography, children's theater classes, the birth of a theater ensemble, staged readings, art exhibitions, environmental activism and more. Upstairs is a modular, "black box", full equity waiver theater, while the ground floor studio is an open space for classes and workshops. Both spaces are also designed for professional level (still and other) photographic shoots, as an exhibition venue for painters, sculptors and the like, as well as rehearsals of all sorts. The theater can also serve as a "low end" sound studio. In 1999, since completing the renovation, the Electric Lodge has been honored with "Earthbeat"

18. Mount Baker Theatre THE GHOST – Is This Theater Haunted? Mysterious noises, ghostly apparitions, and chilly corridors are just some of the hairraising experiences that have http://www.mountbakertheatre.com/theatre_history.php

Mission Statement History Employment Board of Directors ... Contact Is This Theater Haunted? Mysterious noises, ghostly apparitions, and chilly corridors are just some of the hair-raising experiences that have been said to occur at the Mount Baker Theatre. - The Bellingham Herald, Barrett, Eldon and Santarris, Ben. 1996. Ruth Shaw, Theatre manager from 1984 to 1994, thinks that Judy is an invention. “Their theatrical imaginations, already fertile ground for ghost stories, were stirred by the sensations of a creaky, drafty old building with rich imagery painted and sculptures in the Theatres interior,” she says. “Faces of angels, nymphs, dragons, griffins, gargoyles, people, and animals populate the walls of the Theatre. From the lobby, an imaginative person looking into the orchestra pit can make out the shape of a coffin,” Shaw says. “Furthermore,” she added with a laugh, “every old theater has to have its resident ghost." ARCHITECTURE Mount Baker Theatre was the creation of a nationwide movement to construct formidable theater buildings in the hearts of American cities. Now, decades later, the few remaining giant palaces of another era are involved in a new movement, this time to preserve a wonderful heritage and to restore the structures for community use, performing arts, and entertainment centers. In 1978 the Mount Baker Theatre was placed on the National Historic Landmark Register. Through the cooperative efforts of the City of Bellingham, Whatcom County, the State of Washington, the citizen-based non-profit Mount Baker Theatre Center and numerous private donations, the historic landmark Mount Baker Theatre underwent extensive restoration and remodeling of the 1509-seat facility to assure a permanent and useful place in the cultural life of the community. It remains true to its heritage of stage presentations and community use events, and continues to be "The Showplace of Whatcom County."

19. Mounds Theatre History MOUNDS THEATRE BUILDING HISTORY. Vital Statistics. Built in 1922 as a venue for silent movies and live entertainment; Renovated around 1933; Renovated again http://www.moundstheatre.org/MoundsTheatre/Theatre_History.htm

MOUNDS THEATRE BUILDING HISTORY Vital Statistics Built in 1922 as a venue for silent movies and live entertainment Renovated around 1933 Renovated again in 1950 including extensive changes to the exterior Closed in July 1967 Used as warehouse - 1967 to 2001 Most recent renovation started in December 2001 Theatre reopened in October 2003 Location: 1029 Hudson Road, Saint Paul, MN; Scotten's Subdivision, Lot 72-Lyman Dayton's addition to St. Paul except East 11 feet-Lot 24 and all of Lot 23 and block 71 Building: 8,600 square feet and partial basement. Originally had a 700-person seating capacity including the balcony. After the renovation, the seating capacity is approximately 250 with no balcony seating. Parking: On-street. Original parking lot is no longer available for use. About the Renovation Project The Mounds Theatre renovation was a project led by Raeann Ruth and her nonprofit organization, the Portage for Youth, that refurbished the old Mounds Theater building and transformed it into a new grassroots theater and community center for St. Paul's Dayton's Bluff neighborhood. Now completed, the theater is used for plays and other types of live entertainment, movies, concerts, weddings and receptions, educational activities and neighborhood gatherings. The building is located at 1029 Hudson Road near Earl Street. Work began on the building in late 2001 and was finished in October 2003. General Contractor: Raddatz and Sons Construction, Arden Hills, MN The renovation project addressed the needs of the Dayton's Bluff area at several levels

20. Theatre History The Hawaii Theatre Center has played an important part in the history of downtown Honolulu for more than 75 years. Here are some of the milestones in the http://www.hawaiitheatre.com/theatre_history.htm

T ickets purchased online require payment of "convenience fees." (LIMITATIONS OF LIABILITY) Aloha! Member: Hawaii State Theatre Council Hawaii Theatre Center Please e-mail webmaster for any suggestions or comments. The Hawaii Theatre Center has played an important part in the history of downtown Honolulu for more than 75 years. Here are some of the milestones in the life of this great theatre. Also, you can click here to read the history section at the Hawaii Theatre Center web. Breaking Ground! After ten years of planning, the building of the Hawaii Theatre was started In June. The Hawaii Theatre would replace the Bijou Theatre with a more comfortable facility, according to the owners, Joel Cohen and John Magoon , of Consolidated Amusement. They dreamed of making the Hawaii Theatre their flagship their best and most beautiful theatre. Opening Night! The Hawaii Theatre opened on September 6, 1922, with much fanfare and celebration. The opening night concert featured a local tenor

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