41. Matsuo Basho, Terebess Asia Online (TAO) basho In the second year of the Jokyo period (1685) at dawn on the 14th day of the Ninth Month, basho had a strange dream in which he was caught in a http://www.terebess.hu/english/haiku/matsuo.html

Terebess Asia Online (TAO) Index Home Matsuo Bashô (1644-1694) Basho's Haiku (Autumn) tr. by Jane Reichhold Matsuo Basho's Narrow Road to the Deep North tr. by Nobuyuki Yuasa "No matter where your interest lies, you will not be able to accomplish anything unless you bring your deepest devotion to it." - Matsuo Basho Basho "In the second year of the Jokyo period (1685) at dawn on the 14th day of the Ninth Month, Basho had a strange dream in which he was caught in a rainstorm and ran into a shrine to take shelter. The priest scolded him and turned him away, but then said he could stay if he could make a haiku that fit the moment. Basho replied, 'Oh, well, at this very place ...' and produced a haiku." - Reference: volume IX of the complete works of Basho published by Kadokawa Shoten Matsuo Munefusa, alias Basho (1644-94), was a Japanese poet and writer during the early Edo period. He took his pen name Basho from his basho-an, a hut made of plantain leaves, to where he would withdraw from society for solitude. Born of a weathy family, Basho was a Samurai until the age of 20, at which time he devoted himself to his poetry. Basho was a main figure in the development of haiku, and is considered to have written the most perfect examples of the form. His poetry explores the beauties of nature and are influenced by Zen Buddhism, which lends itself to the meditative solitude sensed in his haiku. He traveled extensively throughout his lifetime. His 1689 five-month journey deep into the country north and west of Edo provided the insight for his most famous work Oku no hosomichi (Narrow Road to the Deep North). This great work was posthumoustly published in 1702 and is still read by most Japanse high school students.

42. Basho's Narrow Road Matsuo basho (164494) is considered Japan s greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. http://www.stonebridge.com/BASHONARROW/basho.html

Matsuo Basho (1644-94) is considered Japan's greatest haiku poet. Narrow Road to the Interior (Oku no Hosomichi) is his masterpiece. Ostensibly a chronological account of the poet's five-month journey in 1689 into the deep country north and west of the old capital, Edo, the work is in fact artful and carefully sculpted, rich in literary and Zen allusion and filled with great insights and vital rhythms. In Basho's Narrow Road: Spring and Autumn Passages , poet and translator Hiroaki Sato presents the complete work in English and examines the threads of history, geography, philosophy, and literature that are woven into Basho's exposition. He details in particular the extent to which Basho relied on the community of writers with whom he traveled and joined in linked verse (renga) poetry sessions, an example of which, A Farewell Gift to Sora , is included in this volume. In explaining how and why Basho made the literary choices he did, Sato shows how the poet was able to transform his passing observations into words that resonate across time and culture. Hiroaki Sato has published over two dozen books, of which seventeen are translations of Japanese poetry into English.

43. Matsuo Basho Quotes 7 quotes and quotations by Matsuo basho. Matsuo basho Do not seek to follow in the footsteps of the wise. Seek what they sought. Matsuo basho http://www.brainyquote.com/quotes/authors/m/matsuo_basho.html

Add the "Quote of the Day" to Your Site or Blog - it's EASY! Home Quote Topics Quote Keywords ... Author Nationalities Authors: A B C D ... Z Web brainyquote.com Matsuo Basho Quotes Type: Poet Quotes Category: Japanese Poet Quotes Year of Birth: Date of Death: November 28 Nationality: Japanese Find on Amazon: Matsuo Basho Related Authors: Ralph Waldo Emerson Johann Wolfgang von Goethe Samuel Butler Sophocles ... Kahlil Gibran Do not seek to follow in the footsteps of the men of old; seek what they sought. Matsuo Basho Do not seek to follow in the footsteps of the wise. Seek what they sought. Matsuo Basho Every day is a journey, and the journey itself is home. Matsuo Basho Seek not to follow in the footsteps of men of old; seek what they sought. Matsuo Basho The moon is brighter since the barn burned. Matsuo Basho The temple bell stops but I still hear the sound coming out of the flowers. Matsuo Basho There is nothing you can see that is not a flower; there is nothing you can think that is not the moon. Matsuo Basho Quotes RSS Feeds About Us Inquire Privacy Terms

44. Steffen Basho Junghans Jungans s second major epiphany came when he heard the music of Robbie basho. Junghans writes, It was like opening a new portal. http://www.epitonic.com/artists/steffenbashojunghans.html

new releases new on epitonic epicenter editor's blog ... community Steffen Basho Junghans Strange Attractors Audio House Somewhere between the rhythmic rigidity of Steve Reich 's Electric Counterpoint and the wide-open guitar wanderings of Loren MazzaCane Connors lies Steffen Basho-Junghans Junghans is a self-taught artist, acoustic guitarist, and composer whose background as a performer goes back to 1978 and the German group Wacholder . Although his initial influences were Frank Zappa and Mahivishnu Orchestra , it was Leo Kottke who inspired Junghans's first major epiphany. Junghans decided to pursue steel string and 12-string acoustic guitar composition and soon became a prominent figure in the East German music scene. In 1981 he founded an annual "all-style" guitar festival in Potsdam. It was the first guitar festival in Germany to focus on experimental and alternative styles. It later moved to Berlin to reach a wider audience. Jungans's second major epiphany came when he heard the music of Robbie Basho Junghans writes, "It was like opening a new portal. When I heard more about him and his music I understood that I had to go through him. My path got a name. I took the name '

45. Basho In Yamagata, A Proposal In 1689, during the early Edo period, haiku poet basho who tunrned 45 years old, went on a five months trip to the Northeastern and Japan Sea regions of http://www.threeweb.ad.jp/logos/basho/plan.html

Basho in Yamagata, a Proposal Go down to the Japanese part In 1689, during the early Edo period, haiku poet Basho who tunrned 45 years old, went on a five months trip to the Northeastern and Japan Sea regions of Japan, accompanied by Sora, one of his deciples. The haiku poems he wrote during this trip was summarized as a haiku essay called "The Narrow Roads to the Interior Lands," whose main haiku were made in the middle and north parts of Yamagata Prefecture, such as: Quietness, and the cicadas' chirping sounds being absorbed by the rocks. The rain of May being Gathered by the swiflyt-flowing Mogami River. The years 1996 and 1997 are historical for the researchers of Basho's haiku: a copy of "The Narrow Roads of the Interior Lands" of his own writing was found in Osaka, and its copies have been made available in two books: "Basho Jihitsubon: Oku no Hoso-michi" (Nakao Shosendo, Nov., 1996; a limited edition) and "Basho Jihitsu: Oku no Hoso-michi" (Iwanami Shoten, Jan., 1997; a popular edition). It was found that it contained many corrections and that Basho's haiku was not instantly made, but created and perfected after many agonizing revisions. This home page includes the newly found original of Basho's classic, with modern Japanese and English translations, illustrated by photos taken by the participants. It is expected to be created in January-June, 1997. If you are literature-minded, you are welcome to add your comments about Abbot Inno (988-?), Abbot Saigyo (1118-1190), Yoshitsune Minamoto (1159-1189) and Sogi (1421-1502), whose footprints Basho had said that he wanted to trace.

46. Oku No Hosomichi The Text of basho s Oku no hosomichi (80K) Acknowledgements Editorial Note Interactive Searching of the Japanese Texts http://etext.virginia.edu/japanese/basho/index.html

CONTENTS The Text of Basho's Oku no hosomichi Acknowledgements Editorial Note Interactive Searching of the Japanese Texts Note: Displaying or inputting Japanese characters requires software that can read and input Japanese software To the Japanese Text Initiative home page Last revised October 29, 1998

47. Job Search Results For Boston.com Jobs basho Strategies Finance Manager, Cambridge MA About us Are you an experienced finance professional that truly loves a fastpaced, enthusiastic environment http://boston.monster.com/search.aspx?q=Basho Strategies&lid=452&lid=366&lid=683

48. Hakuho Slips To 1st Loss At Spring Basho : Sports : DAILY YOMIURI ONLINE (The Da 3 maegashira Toyonoshima, but stablemate and fellow ozeki Kotooshu dropped his second of the basho when he sleepwalked into a loss to No. http://www.yomiuri.co.jp/dy/sports/20080313TDY20304.htm

y_search("dy"); Subscribe y_search2("dy"); JAPANESE Home National Sports Business ... Weather Hakuho slips to 1st loss at Spring basho James Hardy / Daily Yomiuri Sportswriter Aminishiki played the old "now you see me, now you don't" trick on Hakuho to condemn the yokozuna to his first loss at the Spring Grand Sumo Tournament on Wednesday. The No. 2 maegashira's slick sidestep and slapdown of the reigning champion threw open the race for the Emperor's Cup and gave yokozuna Asashoryu a chance to take a one-win lead over his rival. Asashoryu (4-0) duly smashed out a win over luckless No. 2 maegashira Miyabiyama (0-4) to earn some valuable breathing space after four days of action at Osaka Prefectural Gym. Hakuho's loss was only his second to Aminishiki (2-2) but reinforced the Aomori native's reputation for making life uncomfortable for the top ranks. "He got me good and proper," Hakuho told reporters afterward. "I have no way to describe itI guess something was lacking." Aminishiki was sheepishly relieved. "I just moved," he said. "I want to do better sumo than that, but my legs are shot so I can't." Asashoryu now shares an unbeaten record with six rank and filers, the highest ranked of whom is No. 5 maegashira Kokkai.

49. Haiku, Haibun, And Renga Of Matsuo Basho Having various translations lets one understand better what was likely to be the original intention of Bash . In particular, I compared paragraphs and poems http://baymoon.com/~ariadne/poets/basho.htm

New books on writing poetry Highlights of Poetry Index of poetry How to Write Poetry ... Books read Yuki Teikei Haiku Society: Join GEPPO magazine Annual anthologies ... Published haiku by J. Zimmerman How to write specific forms: Haibun Haiku Hay(na)ku Rengay ... Villanelle Poets: Adam Zagajewski Aleda Shirley Anne Carson The Beowulf Poet ... Kay Ryan Laureate Poets: Britain USA Len Anderson Li Young Lee ... Pulitzer Poetry Prize (U.S.A). Richard Hugo Robert Bly Sara Teasdale Shiki (haiku) ... W.S. Merwin edited by Robert Hass. New books on writing poetry Writings Haiku Haibun ... Time Line Writings (alphabetical by translator or biographer) Narrow Road in up to four translations: Keene's The Narrow Road to Oku Hamill's Narrow Road to the Interion , where Hamill condenses the prose by about 30% while adding words and even phrases to the poems Barnhill's version in Basho's Journey: The Literary Prose of Matsuo Basho Ueda's The Master Haiku Poet Matsuo Basho , though it has only three poems from Narrow Road Haiku edited by Robert Hass.

50. Basho Kioku: Walkthrough, Review, Discussion, Hints And Tips At Jay Is Games basho Kioku is the latest puzzle game from prolific designer Yoshio Ishii of Nekogames. You are faced with a grid of 36 squares, and your goal is to click http://jayisgames.com/archives/2008/01/basho_kioku.php

New games All games Competitions Suggest a game ... Prefs Your site profile: Edit Preferred stylesheet: close HELP SQUAD help those in need. Recent comments posted... close JIG Homepage Basho Kioku January 27, 2008 Tags: braintraining flash free game ... yishii By Psychotronic add to favorites add to your website add to del.icio.us Copy all text in the text box below and paste into your website template or HTML file... Basho Kioku is the latest puzzle game from prolific designer Yoshio Ishii of Nekogames . You are faced with a grid of 36 squares, and your goal is to click on each of them in turn. Each round, a random combination of these squares lights up orange, and you must choose one of them. There is no indication of which squares you've previously selected, but if you pick a square more than once, you lose a life. Losing three lives ends your game. You'll be under a strict time limit, and your score depends on how quickly you make your choices. Sounds easy, doesn't it? But unless your brain is much less packed with cotton than mine, it's impossible to remember more than a few steps back. The real game is in figuring out a system for keeping track of your progress, using the six draggable markers provided in a box on the left side of the screen. You can position these markers freely, even on the borders between squares, and it will pay to invent a foolproof shorthand for yourself. Ishii-san coats the simple idea in an understated shimmery gloss, complete with wonderfully quirky and anxious background music. There is an unfortunate Flash-related exploit (find it yourself) that could potentially spoil the game, but there's really no point in cheating at a little puzzle like this. It's an otherwise flawless koan that plays on the tension between the randomness of your choices and the solidity of your strategy. Nicely done, Nekogames.

51. Haiku Of Basho The shorthandlooking poem to the left is by the Japanese Zen poet Matsuo basho (Matsuo Munefusa) (1644-94). To the right a Scandinavian proverb is broken http://oaks.nvg.org/basho.html

Haiku of Basho Haiku of Basho Haiku of Basho Haiku depend rather much on what each person is attuned to in them. The old pond A frog leaps in. Splash! Jumping over the brook for water not needed. The shorthand-looking poem to the left is by the Japanese Zen poet Matsuo Basho (Matsuo Munefusa) (1644-94). To the right a Scandinavian proverb is broken up and shortened to fill three lines, to compare with. Many of Basho's haiku poems were actually the hokku (initial verse) of a renga (linked verse). One is to open up and remain receptive to enjoy haiku poetry. BASHO abandoned for poetry the samurai (warrior) status he had earned, and gradually got a reputation as a skilled poet and able critic. As a poet he is credited with elevating haiku to a highly refined "telegram art" that is marked by love of the unobtrusive, as in the poem: Scent of chrysanthemums ... And in Nara All the ancient Buddhas. There are deep meanings in the poem. You are supposed to attune to it all right so as to derive benefit, by knitting associations from your own dear experiences to it. Do it to your ability and see what happens after some weeks or two-three months. This poem is not as brittle as it looks like in English translation either. Such poetry has earned him a reputation as the greatest Japanese haiku poet of Japan - he is also known for many travels through books he wrote of what he saw and took part in. FOLLOWING Zen lines of thinking he tried to compress the meaning of the world he got aware of, into "the simple pattern", at the same time trying to hint at interdependence of all objects. He often strove for that. His very first verse in the "new style" or new-found style may serve as an example:

52. Steffen Basho-Junghans Bio The true revelation came with the discovery of Robbie basho, who in the early 80 s was recording for Windahm Hill (!!!) but whose earliest recordings came http://www.strange-attractors.com/Artists/SBJ/index.html

NEWS ARTISTS CATALOG PHOTOS ... CONTACT STEFFEN BASHO-JUNGHANS Born 1953 in Saxony in the former GDR, Steffen Basho-Junghans grew up in North-Thuringia. 1st drawings in childhood 1st guitar at age 17 A self taught artist, acoustic guitarist and composer, Steffen Junghans' first splash came as co- founder of WACHOLDER, one of the leading folk groups in the GDR, in 1978. Influenced previously by a variety of rock and jazz acts such as Frank Zappa and Mahivishnu Orchestra, the music of British and German folksters colored his perspective in a way he could not shake. It was in 1978 when Junghans discovered the music of Leo Kottke that he experienced his By the early 80's, Junghans was consuming the Takoma Records staple of John Fahey and Peter Lang, but also a core stable of ECM Records artists. His perspective kept changing, his horizons slowly widened and subsequently his playing style. In 1981, SBJ conceptualized, co-coordinated and consequently became known as the "father" of the st All- style Guitar Festival of the GDR in Potsdam. Before the incept of the All-Style Guitar Festival, Germany's guitar festivals were strictly oriented towards classical guitar styles. SBJ's efforts to expose the many facets of the guitar to Eastern Germany is a story of diligence and passion against cultural realities of the time, and whose pioneering efforts cannot be underestimated. 3 years later he directed an All- Style Guitar Festival in Berlin, further establishing the festival and lending a greater awareness of the guitar's universe of potential to the Eastern Bloc.

53. Schedule Of The Year S Sumo Basho The Japan Times Online Complete sumo tournament information and schedule. http://www.japantimes.co.jp/sports/sumo_schedule.html

NEWS National news News features Business news ... Japan Enter your search terms Submit search form japantimes.co.jp Web Advertising Classifieds Shukan ST Weekly ... Sumo Columns NEW YEAR BASHO Date: January 13, 2008 - January 27 Venue: Ryogoku Kokugikan Access: Two-minute walk from Ryogoku station (JR) or five-minute walk from Ryogoku metro station (Oedo subway line) SPRING BASHO Date: March 9, 2008 - March 23 Venue: Osaka Prefectural Gymnasium Access: Five-minute walk from Namba station (subway line), five-minute walk from Namba station (Kintetsu line), five-minute walk from Namba station (Nankai line), 10-minute walk from Namba station (JR) Rankings: Spring Basho Rankings SUMMER BASHO Date: May 11, 2008 - May 25 Venue: Ryogoku Kokugikan Access: Two-minute walk from Ryogoku station (JR) or five-minute walk from Ryogoku metro station (Oedo subway line) Rankings: To be announced April 24 NAGOYA BASHO Date: July 13, 2008 - July 27 Venue: Aichi Prefectural Gymnasium Access: Five-minute walk from Shiyakusho station (Meijo line). Rankings: To be announced June 30 AUTUMN BASHO Date: September 14, 2008 - September 28

54. ”mÔ‰¥‹L”OŠÙu”mÔÕŒ£‰r”o‹å“Á“ü‘I‹å”­•\v Home Who was basho ? Abbreviated Chronology basho s Town. Speacial award . winter night on the hanger my jackets hugging each other . http://www.ict.ne.jp/~basho-bp/e-50-07.html

¤@Home ¤@Who was Basho ? Abbreviated Chronology ¤@Basho's Town Speacial awardi“Á‘Ij winter night on the hanger my jackets hugging each other . Petar TchouhovA Bulgaria ƒnƒ“ƒK[‚̏ãˆß•ø‚«‡‚Ó“~‚Ì–é ducks drift closer closer to the bank August sunset Santiago M. Pacquing Jr. APhilippines Selected haikui“ü‘Ij The year end market; A big bream is bouncing On a balance Kazuko Matsuno Kanagawa, Japan ‘å‘â‚Ì”‰‚É‚Í‚Ë‚éÎ‚ÌŽs almost bare trees but the lark's song still from somewhere Sasa Vazic Serbia petty quarrel dandelion fluff in her hair Petar TchouhovA Bulgaria How distant it is . . . the talk I'm listening to beyond the fog Slavko Sedlar ASerbia –¶‚²‚߂̘b‚̉“‚³Ž¨‚ðŒX‚° riverbank willows spring sunlight catches the drips from a lifted oar “yŽè–ötŒõ‚Æ‚ç‚ÓŸDŽ´ The first cherry bud- I still remember the pain of my wisdom tooth Eduard TARA ARomania e•s’mŽ•‚¤‚¸‚«‚µ‚±‚Ƃ⏉÷ horned moon- from dawn paddocks cows amble to milking Veronica Haughey ANew Zealand dark garden

55. Matsuo Bashō - Wikiquote Matsuo Bash (1644 28 November 1694) Japanese poet; his name has also sometimes been rendered as Matuo Basyou or Matuwo Baseu, but he is usually http://en.wikiquote.org/wiki/Matsuo_Basho

Matsuo Bashō From Wikiquote (Redirected from Matsuo Basho Jump to: navigation search 松尾芭蕉 - Matsuo Bashō Matsuo Bashō 28 November Japanese poet; his name has also sometimes been rendered as Matuo Basyou or Matuwo Baseu , but he is usually called simply Bashō Contents Unsourced Poems Statements External links ... edit Unsourced The haiku that reveals seventy to eighty percent of its subject is good.Those that reveal fifty to sixty percent,we never tire of. edit Poems asagao ni ware wa meshi k» otoko kana I am one Who eats his breakfast, Gazing at morning glories. "I am one who eats his breakfast..." (Translation: Reginald Horace Blyth) Even in Kyoto hearing the cuckoo's cry I long for Kyoto. Translation: Robert Hass An old pond; A frog jumps in — The sound of water. at the ancient pond the frog plunges into the sound of water (Translation: Sam Hamill) The first cold shower; Even the monkey seems to want A little coat of straw. tabi ni yande yume wa kareno wo kake-meguru Sick on a journey, my dreams wander the withered fields. Basho's last poem, written while he was dying of a stomach illness; (Translation: Robert Hass)

56. Matsuo Basho(1644-1694) Matsuo basho(1644 1694) http://web-japan.org/museum/others/uta/haiku/haiku_01.html

57. Matsuo Basho : Poems And Biography basho took his name from the Japanese word for banana tree. He was given a gift of a banana tree by a student and the poet immediately identified with it http://www.poetry-chaikhana.com/B/BashoMatsuo/index.htm

Poetry Chaikhana Sacred Poetry from Around the World Poetry Chaikhana Home New Books Music ... Contact Poets by: Name Tradition Timeline Poetry by: Theme Commentary Blog Forum ... 17th Century Japan (East Asia) Matsuo Basho Timeline Poems by Matsuo Basho Books Links Daily Poem Email Daily Poem Email Signup Support the Poetry Chaikhana Donations to the Poetry Chaikhana in any amount are always welcome. Thank you! Click here Click here A small amount each month makes a big difference. Become a voluntary Subscriber for just $2/mo. Click here Help the Poetry Chaikhana reach more people. Become a Supporter for just $10/mo. Basho took his name from the Japanese word for "banana tree." He was given a gift of a banana tree by a student and the poet immediately identified with it: the way the small tree stood there with its large, soft, fragile leaves. (See his banana plant haiku.) Basho was probably born in 1644 in Iga Province outside of Kyoto, Japan. His father was a poor samurai-farmer. As a teenager, Basho entered the service of the local lord, acting as a page. The young lord was only a couple of years older than Basho, and the two became friends, enjoying the playful exchange of haiku verses.

58. In The Moonlight A Worm... (Haiku Reference Section) basho was Zen trained, and ordained as a priest, but he did not seem to make basho developed the haiku form so that each haiku became a little burst of http://www.haiku.insouthsea.co.uk/zen.htm

Site Contents home reference bibliography books The Lessons Basho's Spirit teachers (secondary) teachers (primary) self study Show Don't Tell teachers self study The Reference Section Form Seasons and the season-word Metaphor Zen and Haiku ... Interviews with Haiku Masters Part 4 - Haiku and Zen Zen Buddhism has significantly shaped the historical development of Japanese haiku. Not all the haiku poets were Zen Buddhists, but several key figures were. Basho was Zen trained, and ordained as a priest, but he did not seem to make up his mind if he was a priest or not. In one of his travel sketches he describes himself as being dressed in a priest’s black robe, "but neither a priest nor an ordinary man of this world was I, for I wavered ceaselessly like a bat that passes for a bird at one time and for a mouse at another." He did not have a parish and priestly duties, but he often wore the robes. Issa lived for several years in monasteries and took his name from the Buddhist ideas of emptiness and change. "Inasmuch as life is empty as a bubble which vanishes instantly, I will henceforth call myself Haikaiji Issa," he wrote. Haikaiji means "haiku temple" and Issa means "one tea," signifying a bubble in a cup of tea. When Issa was paralysed by a stroke at the age of fifty eight, and recovered, he changed his name to Soseibo, meaning "Revived priest." The ancient poets Basho most admired were two Chinese Zen eccentrics who lived on 'Cold Mountain' sometime between the sixth and ninth centuries, Han-shan and Shih-te, and a Japanese mainstream Buddhist of the twelfth century, Priest Saigyo.

59. Basho-ki Index haiku, frog, basho, poetry, bashoki, nature poetry, japanese style poetry. http://members.aol.com/Vanpire13/bk.htm

htmlAdWH('93212816', '728', '90'); Main Writing basho-ki the grave of Matsuo Basho at Gichu-ji, Otsu, Shiga Prefecture, Japan "Basho's Day, basho-ki, On the 12th day of the 10th lunar month of 1694 (25 November, Gregorian), Basho, the founder of haikai and haiku as we know them today, died. He was at a stopover midway on yet another journey, in Osaka, and attended by a number of disciples. Still observed according to the lunar calendar, which varies considerably from year to year with respect to the Gregorian, the date is associated with the characteristic early WINTER DRIZZLE. In Japanese the name of an important figure followed by ki means the person's death anniversary. In English, we have sometimes used "remembered" to suggest this... In haikai the Master's Day or Master's Anniversary (okin no ki) always refers to Basho's Day." Haiku World: An International Poetry Almanac by William J. Higginson BASHO-KI (Specialized: Forms: haiku, Japanese forms, Subject: frogs) 5008 Flagstone Drive, Fort Worth TX. 76114. (817) 624-9295. Website: http://members.aol.com/vanpire13/bk.htm

60. Basho Records Contemporary Jazz basho records contemporary jazz recordings. basho Records - Contemporary Jazz basho RECORDS. Contemporary Jazz http://www.bashomusic.co.uk/bashorecords.htm

BASHO RECORDS Contemporary Jazz Artist Representation Contact Jazzcds EPHIE RESNICK ... STAN SULZMANN GEOFF EALES EPHIE RESNICK MARTIN SPEAKE/NIKKI ILES LIAM NOBLE GROUP NIKKI ILES TRIO ... Jazzcds

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